5 best writing workshops and classes in Los Angeles

Some writers are self-taught. I’m really, really not one of these. I’ve taken a lot of — perhaps too many — writing workshops. I majored in English writing as an undergrad, then got a PhD in creative writing — and apparently all that still wasn’t enough, because I’ve also taken a bunch of one-off writing classes all over town!

Single creative writing classes can be great for a lot of reasons: if you have no idea what you’re doing and need some direction from a mentor, if you’re not ready to commit an MFA program but need something structured to move your writing along, if you’re working on a specific writing project and want feedback on it from a group of writers, if you have a tough time motivating yourself to write without deadlines.

There are countless writing workshops offered on the internet, but I’ve stuck to on-ground classes for this post, assuming that if you’re reading a post specific to Los Angeles, you’re interested in meeting up with fellow Angelenos IRL. Here are five options to consider:
____

UCLA Extension Writers’ Program.

You’ll really feel like you’re back in school if you sign up for a UCLA Extension class, which are held on the Westwood campus in actual classrooms, complete with chalkboards. Fiction, creative nonfiction, poetry, and screenwriting classes are offered — as well as weekend intensives and shorter workshops. Many classes are open to all; some of the intermediate or advanced classes require you to submit sample writing to be considered for admission.

Some of the classes I’ve taken here have been great, some kind of a waste of time. I recommend reading your potential instructor’s books before plunking down the money for the course — though even then, it’ll be a bit of a crapshoot. Then again, isn’t that true of anything in life?

Each class is limited to about 15 students; past and present instructors include Ben Loory (Stories for Nighttime and Some for the Day) and Antonia Crane (Spent). A 10-week Introduction to Novel Writing class costs $699. UCLA Extension also offers certificate programs — the value of which I have a hard time understanding (why not just do an MFA then?) but which may appeal to you.

Writing Workshops Los Angeles.

Taking a WWLA class feels a bit like going over to a friend’s house — because these workshops are taught out of the instructor’s homes. Enjoy snacks and coffee or wine at these eight-week courses on fiction, nonfiction, poetry. You can also sign up for one to two-day seminars.

I’ve taken one fiction class with WWLA. It was more basic than what I was looking for at the time, but I enjoyed my time there and liked the people I met — a warm, supportive environment, especially for beginning writers.

Past and present instructors include Bernard Cooper and Margaret Wappler (Neon Green). One thing to note is that a significant number of WWLA instructors haven’t published a book — something to consider if you’re hoping for mentorship and guidance on the book publishing process. An 8-week Novel 1 class costs between $380 to $420.

Writing Pad.

This writing school offers one-day to 10-week classes ranging from more traditional short story and novel workshops to screenwriting and blogging bootcamps.

Writing Pad hosts occasional panels and events too. In fact, I found out about the school when a friend invited me to one of these; a handful of storytellers told hilarious tales about real-life experiences they’d gone through. I’ve never taken a class, but have heard good things — Many classes are capped at around 10 students, and take place in one of two locations: Writing Pad East in the Arts District, or Writing Pad West in Rancho Park. Past and present fiction instructors include Lauren Strasnick and Steph Cha (Dead Soon Enough). A five-week Novel 1 class costs $425.

Santa Monica College creative writing class.

As a California resident you can take legendary creative writing teacher Jim Krusoe’s 16-week workshop at Santa Monica College for less than $200.

Jim’s the author of The Sleep Garden, Girl Factory, and Toward You, among other books, and his SMC classes — voted Best Writing Class by LA Weekly in 2012 — are open to all, at least until they fill up. Check the latest class schedule to find out when he’s teaching next. Detailed instructions for signing up are on this post.

Beyond Baroque Workshops.

Looking for something less structured? Local literary nonprofit Beyond Baroque offers free weekly community writing workshops in fiction, poetry, and screenwriting at its historic Venice location. Drop by any week at the appointed time to get your work workshopped with fellow community writers led by a local writer-instructor.

Of course, since it’s a free, come-if-you-want type deal, you won’t get the same type of continuity you would with more formal, weeks-long classes. Each workshop will be a new adventure! And some of the instructors Beyond Baroque pulls in are pretty amazing; I went to a few of these a long, long time ago — and got to study with poet Will Alexander.

Donations are suggested. Beyond Baroque offers what it calls Professional Workshops too. For these, offerings vary widely in structure, as does the cost. (Earlier: 5 ways to give back to literary nonprofits in Los Angeles)
____

There are many, many other small organizations and individuals in Los Angeles who offer all types of writing workshops — as well as writing coaching and editing services. If you’re interested in working with a specific local writer, try looking them up online; many teach, coach and edit.

And of course, you can always join a Meetup writing group or organize your own writing workshop. Don’t know enough writers to pull together your own group? Make some friends at these Los Angeles writing meetups where you can write in company.

Originally published 1/12/17; last updated 1/10/19

11 reasons to attend the Tin House Winter Workshops

Thinking about a writer’s getaway this winter? Read on to see if the Tin House Winter Workshops — which I attended early this year — might be a good fit for you.

tin-house

1. You need a vacation. A weekend away spent on a gorgeous beach sounded like a dream to me. And at $1300 for the hotel, all breakfasts, a five-course dinner, plus cocktail parties in the evenings — not to mention the actual writing program itself!! — the price felt alright (I realize opinions will differ on the reasonableness of the price).

2. You’d like to see the Oregon Coast. Once I got to the Tin House offices in Portland, I quickly met the other workshop participants — before we piled into a van and headed up up to Newport. There, we were dropped off at the hotel, located on a gorgeous 45-foot bluff overlooking the Pacific.

nye-beach-newport-oregon

3. The idea of staying at a literary-themed hotel makes you happy. Each of the 21 rooms at the Sylvia Beach Hotel are individually themed around a famous author. I got the Dr. Seuss room! Most of the rooms are more — sedately decorated — if the bright yellow’s too much for you.

dr-seuss-room-in-sylvia-beach-house

4. You want some feedback on your writing. Well before the workshops began, all the participants submitted a short story — then got copies of the stories of all the other writers in the workshop group. We read and wrote up a page or two of feedback for each of the stories — then arrived in Oregon ready to discuss the stories during the morning workshops.

wells-tower

5. You want to learn from writers you admire. I’d enjoyed Wells Tower’s short story collection Everything Ravaged, Everything Burned, and was psyched to be in his workshop, which met for about 3 hours each morning. It was great to hear Wells’s take on my story — as well as those of my fellow workshop members —

6. You like parties. Each night there was a social event of sorts, whether a multi-course dinner party plus book exchange, or a cocktail party at the nearby Hemingway House (owned by Tin House’s editor), or a karaoke fest at a nearby divebar that drew a strange and eclectic crowd.

Nye Beach Newport Oregon

7. You love seafood. The seafood is fresh and delicious here! One evening we even got a chance to visit the best seafood restaurant in town — though the name now escapes me.

8. You’re curious about Tin House. I enjoyed getting to know the Tin House staff members who came along on the trip, sharing info about how the editorial process at Tin House works. One of the highlights of the weekend was Meg Storey’s talk about her work as an editor for Tin House books. She ran through the process for acquiring one Tin House book, from showing us the first pages of the initial manuscript she rejected, to the detailed editorial letter she wrote to the author about why the manuscript was rejected and how it could be improved, to the first pages of the much revised and finally accepted manuscript. It was really illuminating!

nye-beach-newport-oregon-2

9. You like bookish freebies. My Tin House welcome tote came with an issue of Tin House plus a Tin House book.

10. You enjoy meeting other writers. The workshop group ran the gamut, from young women just out of MFA programs to older women retirees. Why did I just say women twice? Because in terms of gender, the workshop is not diverse. There was one brave guy in our cohort of about 20! I’ve noticed that writing workshops and programs in general tend to be women-heavy; I don’t know why that is but I would be curious to hear your theories.

In any case — I made some great new friends at this workshop, and though we’re scattered all over the country now, we keep in sporadic touch via Facebook and email — and cheer on each others’ literary successes.

siel-ju-and-kevin-sampsell-at-powells-books

11. You’d like to hang out in Portland. I’d actually never been to Portland before, so I tacked on a few extra days after the workshop to walk around Portland, visit Powell’s Books and hang out with Kevin Sampsell (above), and drink lots of good coffee.

portland-coffee-2
____

Interested in taking part in the workshops? This year, the fiction faculty members are Kevin Barry, T. Geronimo Johnson, and Michelle Wildgen — and I have to admit I’m not familiar with their work! If you’re thinking about applying to attend, I recommend reading each of the faculty members’ books, then asking to be placed in a workshop with the author whose work you feel most attuned to.

Tin House will run three different sessions in early 2017: Fiction from Jan. 20-23, creative nonfiction from Jan. 27-30, and poetry from March 3-6.Get your application in by Oct. 19 to be considered for a scholarship! The general application deadline is Nov. 7. Tin House also runs summer workshops, a longer, more in depth program with more people and more events — but applications for that program won’t be open for some months.