5 best writing workshops and classes in Los Angeles

Some writers are self-taught. I’m really, really not one of these. I’ve taken a lot of — perhaps too many — writing workshops. I majored in English writing as an undergrad, then got a PhD in creative writing — and apparently all that still wasn’t enough, because I’ve also taken a bunch of one-off writing classes all over town!

Single creative writing classes can be great for a lot of reasons: if you have no idea what you’re doing and need some direction from a mentor, if you’re not ready to commit an MFA program but need something structured to move your writing along, if you’re working on a specific writing project and want feedback on it from a group of writers, if you have a tough time motivating yourself to write without deadlines.

There are countless writing workshops offered on the internet, but I’ve stuck to on-ground classes for this post, assuming that if you’re reading a post specific to Los Angeles, you’re interested in meeting up with fellow Angelenos IRL. Here are five options to consider:
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UCLA Extension Writers’ Program.

You’ll really feel like you’re back in school if you sign up for a UCLA Extension class, which are held on the Westwood campus in actual classrooms, complete with chalkboards. Fiction, creative nonfiction, poetry, and screenwriting classes are offered — as well as weekend intensives and shorter workshops. Many classes are open to all; some of the intermediate or advanced classes require you to submit sample writing to be considered for admission.

Some of the classes I’ve taken here have been great, some kind of a waste of time. I recommend reading your potential instructor’s books before plunking down the money for the course — though even then, it’ll be a bit of a crapshoot. Then again, isn’t that true of anything in life?

Each class is limited to about 15 students; past and present instructors include Ben Loory (Stories for Nighttime and Some for the Day) and Antonia Crane (Spent). A 10-week Introduction to Novel Writing class costs $699. UCLA Extension also offers certificate programs — the value of which I have a hard time understanding (why not just do an MFA then?) but which may appeal to you.

Writing Workshops Los Angeles.

Taking a WWLA class feels a bit like going over to a friend’s house — because these workshops are taught out of the instructor’s homes. Enjoy snacks and coffee or wine at these eight-week courses on fiction, nonfiction, poetry. You can also sign up for one to two-day seminars.

I’ve taken one fiction class with WWLA. It was more basic than what I was looking for at the time, but I enjoyed my time there and liked the people I met — a warm, supportive environment, especially for beginning writers.

Past and present instructors include Bernard Cooper and Margaret Wappler (Neon Green). One thing to note is that a significant number of WWLA instructors haven’t published a book — something to consider if you’re hoping for mentorship and guidance on the book publishing process. An 8-week Novel 1 class costs between $380 to $420.

Writing Pad.

This writing school offers one-day to 10-week classes ranging from more traditional short story and novel workshops to screenwriting and blogging bootcamps.

Writing Pad hosts occasional panels and events too. In fact, I found out about the school when a friend invited me to one of these; a handful of storytellers told hilarious tales about real-life experiences they’d gone through. I’ve never taken a class, but have heard good things — Many classes are capped at around 10 students, and take place in one of two locations: Writing Pad East in the Arts District, or Writing Pad West in Rancho Park. Past and present fiction instructors include Lauren Strasnick and Steph Cha (Dead Soon Enough). A five-week Novel 1 class costs $425.

Santa Monica College creative writing class.

As a California resident you can take legendary creative writing teacher Jim Krusoe’s 16-week workshop at Santa Monica College for less than $200.

Jim’s the author of The Sleep Garden, Girl Factory, and Toward You, among other books, and his SMC classes — voted Best Writing Class by LA Weekly in 2012 — are open to all, at least until they fill up. Check the latest class schedule to find out when he’s teaching next. Detailed instructions for signing up are on this post.

Beyond Baroque Workshops.

Looking for something less structured? Local literary nonprofit Beyond Baroque offers free weekly community writing workshops in fiction, poetry, and screenwriting at its historic Venice location. Drop by any week at the appointed time to get your work workshopped with fellow community writers led by a local writer-instructor.

Of course, since it’s a free, come-if-you-want type deal, you won’t get the same type of continuity you would with more formal, weeks-long classes. Each workshop will be a new adventure! And some of the instructors Beyond Baroque pulls in are pretty amazing; I went to a few of these a long, long time ago — and got to study with poet Will Alexander.

Donations are suggested. Beyond Baroque offers what it calls Professional Workshops too. For these, offerings vary widely in structure, as does the cost. (Earlier: 5 ways to give back to literary nonprofits in Los Angeles)
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There are many, many other small organizations and individuals in Los Angeles who offer all types of writing workshops — as well as writing coaching and editing services. If you’re interested in working with a specific local writer, try looking them up online; many teach, coach and edit.

And of course, you can always join a Meetup writing group or organize your own writing workshop. Don’t know enough writers to pull together your own group? Make some friends at these Los Angeles writing meetups where you can write in company.

Originally published 1/12/17; last updated 1/10/19

3 Los Angeles writing meetups where you can write in company

Writing can get lonely. At writing meetup groups you can meet other writers — so you can be lonely together, sitting inches apart but not talking or making eye contact because, well, you’re writing.

If such get togethers appeal to you as much as they do to me, here are three to check out:

1. Writers Blok. The goal of Writers Blok is simple. You come, you buckle down and write for a set time, then you chat a little about your writing with other writers. The idea is that a little structure and a little company can work wonders for your writing habit — like getting you to actually develop said habit.

Located in the Culver City Arts District, Writers Blok is open every day and offers a break room with free drinks and snacks — including pour over coffee with beans roasted by the local coffee shop Bar Nine — and a sunny writing room with a mix of small and communal tables. More: Setting goals and finding community at Writers Blok.

Writers Blok. 2677 S. La Cienega Blvd., Los Angeles. Cost: $80-$95 a month membership or $10-$30 for single drop-in sessions.

2. NaNo Los Angeles. National Novel Writing Month happens every November — and while that challenge lasts just 30 days, the local organizers in L.A. often keep writing meetups happening at other times of the year.

November really is the best time to get involved with NaNo Los Angeles, since most of the fun events happen then. Stay motivated by following the NaNo Los Angeles Instagram page.

NaNo Los AngelesCost: Free.

3. Shut Up and Write! Show up, do quick intros, then shut up and write for a solid hour, at which point you’ll get to pat yourself on the back and socialize. There are three different SUaW locations at the moment — downtown LA, San Fernando Valley, and Conejo Valley.

Shut Up and Write! Check MeetUp page for dates, times, and locations. Cost: Free.
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As a sidenote — All three of the groups I’ve mentioned mostly attract genre fiction writers. If what you really want is to meet with others writing literary fiction, poetry, or creative nonfiction, you’re more likely to find them at literary writing workshops.

There are many other writing meetup groups publicized on MeetUp and elsewhere; the above are simply three I’ve tried. Got another group to recommend? Let me know in the comments —

Originally posted 10/19/16; last updated 1/3/19

11 reasons to attend the Tin House Winter Workshops

Thinking about a writer’s getaway this winter? Read on to see if the Tin House Winter Workshops — which I attended early this year — might be a good fit for you.

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1. You need a vacation. A weekend away spent on a gorgeous beach sounded like a dream to me. And at $1300 for the hotel, all breakfasts, a five-course dinner, plus cocktail parties in the evenings — not to mention the actual writing program itself!! — the price felt alright (I realize opinions will differ on the reasonableness of the price).

2. You’d like to see the Oregon Coast. Once I got to the Tin House offices in Portland, I quickly met the other workshop participants — before we piled into a van and headed up up to Newport. There, we were dropped off at the hotel, located on a gorgeous 45-foot bluff overlooking the Pacific.

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3. The idea of staying at a literary-themed hotel makes you happy. Each of the 21 rooms at the Sylvia Beach Hotel are individually themed around a famous author. I got the Dr. Seuss room! Most of the rooms are more — sedately decorated — if the bright yellow’s too much for you.

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4. You want some feedback on your writing. Well before the workshops began, all the participants submitted a short story — then got copies of the stories of all the other writers in the workshop group. We read and wrote up a page or two of feedback for each of the stories — then arrived in Oregon ready to discuss the stories during the morning workshops.

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5. You want to learn from writers you admire. I’d enjoyed Wells Tower’s short story collection Everything Ravaged, Everything Burned, and was psyched to be in his workshop, which met for about 3 hours each morning. It was great to hear Wells’s take on my story — as well as those of my fellow workshop members —

6. You like parties. Each night there was a social event of sorts, whether a multi-course dinner party plus book exchange, or a cocktail party at the nearby Hemingway House (owned by Tin House’s editor), or a karaoke fest at a nearby divebar that drew a strange and eclectic crowd.

Nye Beach Newport Oregon

7. You love seafood. The seafood is fresh and delicious here! One evening we even got a chance to visit the best seafood restaurant in town — though the name now escapes me.

8. You’re curious about Tin House. I enjoyed getting to know the Tin House staff members who came along on the trip, sharing info about how the editorial process at Tin House works. One of the highlights of the weekend was Meg Storey’s talk about her work as an editor for Tin House books. She ran through the process for acquiring one Tin House book, from showing us the first pages of the initial manuscript she rejected, to the detailed editorial letter she wrote to the author about why the manuscript was rejected and how it could be improved, to the first pages of the much revised and finally accepted manuscript. It was really illuminating!

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9. You like bookish freebies. My Tin House welcome tote came with an issue of Tin House plus a Tin House book.

10. You enjoy meeting other writers. The workshop group ran the gamut, from young women just out of MFA programs to older women retirees. Why did I just say women twice? Because in terms of gender, the workshop is not diverse. There was one brave guy in our cohort of about 20! I’ve noticed that writing workshops and programs in general tend to be women-heavy; I don’t know why that is but I would be curious to hear your theories.

In any case — I made some great new friends at this workshop, and though we’re scattered all over the country now, we keep in sporadic touch via Facebook and email — and cheer on each others’ literary successes.

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11. You’d like to hang out in Portland. I’d actually never been to Portland before, so I tacked on a few extra days after the workshop to walk around Portland, visit Powell’s Books and hang out with Kevin Sampsell (above), and drink lots of good coffee.

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Interested in taking part in the workshops? This year, the fiction faculty members are Kevin Barry, T. Geronimo Johnson, and Michelle Wildgen — and I have to admit I’m not familiar with their work! If you’re thinking about applying to attend, I recommend reading each of the faculty members’ books, then asking to be placed in a workshop with the author whose work you feel most attuned to.

Tin House will run three different sessions in early 2017: Fiction from Jan. 20-23, creative nonfiction from Jan. 27-30, and poetry from March 3-6.Get your application in by Oct. 19 to be considered for a scholarship! The general application deadline is Nov. 7. Tin House also runs summer workshops, a longer, more in depth program with more people and more events — but applications for that program won’t be open for some months.

Women Who Submit throws parties to empower women writers

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Why do we still see more men publishing poems, stories and books than women? That simple question has a complex answer, but one part of the problem is that women make fewer and less frequent efforts to get published. Ask many a literary journal editor, and she will tell you that men, in general, send in submissions in far greater numbers than do women.

Why this is — is also a question with a complex answer. But one grassroots organization, Women Who Submit, has started answering it with a simple solution — by getting more women to submit more and more frequently to literary journals and other writing-related opportunities.

Women Who Submit submission party in Los Angeles

How does Women Who Submit do this? By throwing submission parties! At each of these events, women writers are encouraged to arrive, laptops in tow, to hang out and eat and drink and chat and have fun in real life — while also sending their work out to literary journals via the internet. Every time someone sends in a submission, the crowd cheers!

Each party is a little different. Some are held in people’s homes, and have the feeling of a cozy ladies potluck brunch. Others are held in bars, to the delight of writers who enjoy daydrinking. Yet others are organized in quiet community spaces — Those have tended to be the most productive spots for me.

Women Who Submit was founded in 2011 by three L.A. women — Alyss Dixson, Ashaki Jackson and Xochitl-Julisa Bermejo — as a response to the VIDA count, which shows in stark statistics just how many more men than women are seeing their name in print in literary journals.

Women Who Submit submission party in Los Angeles

Since then, WWS has formalized and organized and expanded. There are now parties organized across the US! Parties in L.A. happen on the second Saturday of the month — and I’ll be giving a talk at the next one on finding an agent! That WWS New Member Orientation and Submission Party happens Sat., Oct. 8 at Beyond Baroque in Venice. Hope to see you there!

To join WWS — or to find out about or start a party in your town, contact WWS. In the meantime, follow WWS’ blog, which has helpful posts demystifying the literary submission process, offering writerly encouragement, and celebrating the publication successes of its members.

Earlier: 5 important resources for women writers

Photos by Lauren Eggert-Crowe

5 important resources for women writers

Every year we see articles bemoaning the dearth of women writers — on award lists, bestseller lists, magazine bylines, and more. But feminist lit groups are working to change that! Here are five moving things forward to get involved with:

Bindercon. Described as “the conference and community for women and gender noncoforming writers,” Bindercon hosts two conferences a year — one in NYC, one in Los Angeles. The two-day events are full of keynotes and panels, tackling everything from basic writing advice (how to pitch articles) to larger political issues (writing about reproductive rights and justice).

I moderated a panel on creating a writing community at Bindercon LA earlier this year, and loved taking part in the exciting and warm conference. The next conference happens in NYC Oct. 29-30, and is currently seeking volunteers!

VIDA: Women in Literary Arts. This feminist nonprofit’s best known for its annual VIDA count, a report that studies who’s getting published in literary journals and whose books are getting reviewed — then crunches the numbers to give us some concrete stats showing current gender imbalances in publishing.

The group’s larger mission is to draw attention to literary gender disparities — and to address them by amplifying marginalized voices. VIDA has a nice list of resources for women writers — including a list of women-run presses.

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Women Who Submit.. This action-oriented group was actually inspired into existence by the VIDA count! The founders of WWS saw the lackluster numbers in the count — then decided to change them — by getting more women to submit more often to literary publications!

To that end, WWS hosts “submission parties” — where women congregate with their labtops at a local bar or member home and submit their creative work for a few hours, all while cheering each other on. Events happen around the country! The next LA submission party happens Oct. 8 — and I’ll be speaking there, pre-submission blitz, about how to find a literary agent. More details soon — Hope to see you!

Hedgebrook. For women who seek a room of their own, Hedgebrook offers writing residencies on Whidbey Island, near Seattle. This feminist organization basically offers selected residents a free space to live and write!

Hedgebrook also hosts other events and workshops, its goal being “Equality for women’s voices to achieve a just and peaceful world.” The next application deadline for residencies is in July 2017. Earlier. 5 things to look for in a writing residency and My Writing Residency at the Anderson Center.

Money for Women. Known also as the Barbara Deming Memorial Fund, Money for Women basically awards writing grants to women writers and artists. The grants range from $500 to $1500, and are intended to help women artists finish works in progress. Applications are due each year in January.
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Know of other great literary resources for women? Share them in the comments —

Photo courtesy of Kenji Liu / Women Who Submit