The Poetry Circus: An annual literary party in Griffith Park

The poets arrived in style, wearing trench coats and velvet gloves, combat boots and platform Mary Janes. They slunk around looking dark and dangerous — though the day was preternaturally bright, a perfect July Saturday in Los Angeles.

The event: The sixth annual Poetry Circus. The brainchild of local poet Nicelle Davis, this annual extravaganza is described as a community event that “blurs the line between performer and audience to allow everyone the chance to run away and join the circus.” In more practical terms, The Poetry Circus combines zippy poetry readings with circusy joie de vivre at the merry-go-round in Griffith Park. When I arrived around six, the crowd was lazily milling about, getting their faces painted and leafing through chapbooks of poetry at the tables literary presses and organizations that had set up around the area. 

The theme for 2019 was Circus Noir, which is why fashions ranged from film noir to circus punk. I was one of the poets invited to read, but if there was a memo about coming in costume, I missed it — and showed up in a sundress.

Luckily no bouncers enforced a dress code, though there were a couple men in three-piece suits and fedoras who swashbuckled around like they might soon enforce — something.

We soon found out what that something was: poe-hibition! No poetry allowed! Nicelle announced in a faux-tremulous voice that readings could continue — so long as the words didn’t make anyone feel anything.

And so with cheeky aplomb, round one of the circus acts began. “I think you better get ready! I’m about to go to jail doing this,” Douglas Manuel declared before launching energetically into his first poem. 

The performances were as moody as the costumes. “Red is so needy, so eager to spill on the floor,” read Armine Iknadossian in a slow, sensual drawl. She wore long velvet gloves. She applauded the other poets by tinking a long cigarette holder against a martini glass. Jennifer Bradpiece also had her accessories: lace fingerless gloves, striped stockings, and a tiny hat with feathers pinned to hear head. Sample line: “You slip a peach pill between pink lips.”

Between readings, the fedora men kept up the poe-hibition ruse. “There’s no way these are poets,” one declared about half way through. “They’ve been incredibly timely!” It was true. Each of the twelve poets in the round had been given just four minutes to read, and for once everyone stuck to the limit — likely because Nicelle had sent out a simple yet effective warning a few days before: “YOU WILL BE KICKED OFF STAGE BY THE NOIR TEAM, if you go over your time.

As the first act ended, I thought: Maybe all poetry readings should be limited to four minutes. They’re so much more enjoyable that way…. I was about to go looking for the snack table when Nicelle declared: free merry go round rides!

Then there was a puppet show from the Bob Barker Marionettes.

The first Poetry Circus happened six years ago. Since then, the annual event has brought hundreds to the park. This year’s event, of course, was the noirest.

The sun set. Things got ravier as Nicelle and other organizers handed out glow lights and neon party hats and snake bracelets. The second round of poets went up, then the third — my group.

Awards for most noir-circus outfits go to Ivey Merrill who came in a black goth-ish cheerleader type skirt and black platform Mary Janes (sample line: “Temporarily, razors can help”) and Melanie Jeffery with her purple hair and Doc Martens (sample line: “Cinderella’s doing time for prostitution”).

Here’s one of the poems I read:

Then suddenly, it was over. The fedora men gave their final poe-hibition threats. Nicelle thanked the audience for coming and asked us to help clean up by folding up our chairs and taking them to a designated corner. I did that, then I found the snack table and ate cookies. 

Then we all walked across a grassy hill to the parking lot and drove into the starless night.

The Poetry Circus will return in 2020, though the exact date hasn’t yet been set; keep it on your radar by following the Poetry Circus Facebook page, and support it by making a donation through GoFundMe

All photos by Andrea V, except for the selfie taken by Liz Rizzo on the merry go round

It’s Five O’Clock Somewhere: A quarterly reading series in the Culver City arts district

I’m used to driving to the Mandrake from the west, so making the trip from Burbank for the first time last weekend, I got completely turned around. I parked in the general vicinity, walked up a confused half block to the stoplight, and was repeatedly pushing the cross button when I looked behind me to see an open door, and over it, the familiar little neon sign: BAR.

The Mandrake is a low-key bar in the industrial-looking area that’s the Culver City arts district. It’s also home to It’s Five O’Clock Somewhere, a quarterly reading series organized by Julia Ingalls (above), essayist and literary provocateur who sometimes writes about her love life. When I walked in, she was up front in a loose tank and white jeans, greeting people with hugs. 

“Siel! I haven’t seen you in so long!”

We hugged stickily. It was a warm day, high seventies, and warmer in the bar.

Julia’s readings begin, not coincidentally, at 5 pm. Or more accurately, 5 pm is the listed start time — when people arrive, order drinks, and mingle in the sunnier front room. About a half hour later we’re corralled into the darker, danker back room, with its upholstered booths and ghoulish lighting.

Julia went up front, welcomed everyone, and the crowd of about 40 or so settled in as she introduced the first reader, Mike Sonksen, by reading a bio off her phone.

Mike Sonksen’s better known as Mike the Poet. He wore a jaunty hat and Dodgers T-shirt. He performed his poems — all about L.A. — from memory, bouncing on his heels (sample line: “The 562 is a good time because the people are down to earth”). His energy was catching; the audience smiled and bopped along. He finished with a happy yell — “I’m still alive in Los Angeles. L.A.!” — then bounced back to his seat in the applause.

Lisa Locascio went up next, pink hair glowing under the overhead light. She read from her debut novel Open Me — about a teenager’s affair with a 28-year-old man who starts keeping her locked her up in his apartment (sample line: “How fine to be a body against a smooth plane”).

Then Susan Banyas read her nonfiction work (sample line: “Is there a sense of justice, even in young children?”) with emphatic nods of the head, in the manner of an enthusiastic children’s librarian during story time. Next was Roar Shack organizer David Rocklin, reading a moody excerpt from a new novel he’s working on (sample line: “But there was the sea, blazing cobalt….”). Lynne Thompson closed the reading with more poems (sample line: “Forget this irrelevant history. Can anyone know what’s true?”).

Suddenly, it was over. The crowd applauded and started moving out, stopping at the Skylight Books table to buy the authors’ books. 

Back in the sunnier front room, people looked less ghoulish, prettier. We chatted, we mingled. Julia was back in the middle of things, working the crowd. It’s Five O’Clock Somewhere was now about three years old, she told me. She said she tried to get “a medley of different mediums” for each reading — poetry, fiction, nonfiction.

Outside the evening sun was still bright. I started walking toward my car, then realized I was going the wrong way again, and turned around.

The next Five O’Clock Somewhere happens September 15, 2019 — put it on your calendar! To hear about future events, email Julia at subtextdesign@gmail.com and ask to be put on the mailing list.

It’s Five O’Clock Somewhere. Quarterly, 5 pm (email Julia or check Facebook for dates), Mandrake, 2692 S La Cienega Blvd., Los Angeles. 

Read more: 11 literary reading series in Los Angeles

I’m reading at the Poetry Circus

If you’d like to hang out with me in person this summer, come to The Poetry Circus #6: Circus Noir next Saturday.

Organized by Nicelle Davis whom I’ve been reading with a lot lately, The Poetry Circus is an interactive art event series described as “part workshop, community outreach, performance, ride, dance, and creation.” There’ll be poets, the Bob Baker Marionette Theater, face painting, light refreshments, and circus acts! Here’s the schedule:

When: Sat., July 13, 2019, 5 pm-10 pm
Where: The Griffith Park Merry-go-round
Cost: Free, but if you’re into it, The Poetry Circus has a gofundme campaign going on.

I’ll be reading in round 3, at 8:20 pm, though I’ve been already warned by previous attendees that the schedule usually gets behind due to the tendency of poets to go on way past their time limit (Poets — quit doing that, seriously!).

See you soon —

I’m reading at Poetry Palooza 5/2

Though I mostly write fiction now, I did go to grad school for poetry — and have published two poetry chapbooks I rarely get to read from. But I’ll be doing that in a couple days at Poetry Palooza!

Poetry Palooza is an annual event organized by the Northridge Creative Writing Circle, a student group at Cal State Northridge. This year, it happens Thu., May 2. I’ll read at 5 pm in Jerome Richfield Hall, room 201 (driving directions here).

Looking forward to getting to read with Nicelle Davis again — and to meeting Sophia Apodaca. Thank you to Sam Bowers and other Cal State Northridge students for organizing this event.

Getting Hitched before the New Year

Sometimes you mean to go to a reading series that sounds cool, but you put it off, and a year goes by, then two, then three and four, until finally, when you actually go because it’s the week between Christmas and New Years so you’ve got the time and even traffic in L.A. isn’t too bad, you walk into the event and there’s free champagne and mini cupcakes because it’s the reading series’ eighth anniversary.

Which is to say: Hitched has been around the L.A. literary scene long enough to become a standard feature. The quarterly series was started by local poet Xochitl-Julisa Bermejo (pictured above), who back in 2010, was a recent MFA graduate from Antioch University Los Angeles. Since she knew a lot of faculty mentors from her grad program — and also knew their writing mentees — Xochitl got the idea to start a reading series that featured literary pairings: mentors and mentees, teachers and students, collaborators and collectives, and other writerly partners. “It’s a celebration of those relationships,” she said. 

The series started out at Beyond Baroque in Venice but has since roamed around different locations across the city. The final event of 2019 was held in Other Books, a brightly-lit and eclectically curated book, comics, and record store in Boyle Heights. A couple dozen people filtered in bundled up in coats and rubbing their hands — it was a blustery night in the mid-fifties — mostly ignoring the treats, perhaps already maxed out on holiday indulgences.

I wasn’t. I had two mini cupcakes: one chocolate, one vanilla. Then Xochitl took the mic and introduced the first pair, Rocío Carlos and Rachel McLeod Kaminer, who’d collaborated on a just-published book of poems called Attendance (The Operating System).

Rachel read first (sample line: “A year like this passes so strangely somewhere between sorrow and bliss”), then Rocío took the stage. Her lavender hair matched the lavender book, and the poems she read were sprinkled with lavender (sample line: “Make me lavender, you said to her).

Every writer’s work this night incorporated Spanish words and phrases, which most of the audience seemed to understand, judging by the small murmurs of assent. I did not, though for the most part I could follow along (though does anyone else have the issue of zoning out during poetry readings, regardless of language?). The beginning of Xochitl’s website bio reads, “Xochitl-Julisa Bermejo is a first generation Chicana,” and Hitched reflects Xochitl’s effort to seek out similarly marginalized voices.

Poet Sara Borjas got up next. “I’m gonna read what I’m calling an essay, but it looks like this,” she said, and thrust out a sheet of paper toward the audience. It had fragments of writing segregated into individual small boxes on the page. She started reading; the essay was loosely about her mother’s gastric bypass surgery (sample line: “Her body anchored her to our house.”) but touched heavily on themes of Chicana identity and authenticity. I learned one Spanish word — pocha, a pejorative term used to describe Chicanas deemed too Americanized — that Sara used as a refrain throughout the piece.

Sara’s pair, poet Ruben Quesada, had gone to Chicago for Christmas and ended up staying longer than planned, so the last reader was a last-minute addition: Sonia Guiñansaca, a queer, migrant poet in town from Harlem for the holidays. Xochitl read an exuberant bio (“One of the 13 coolest queers on the internet according to Teen Vogue!”) then Sonia went up to applause.

“This is a poem for all the migrant folks in the room,” she said, then performed a long, expressive poem from memory (sample line: “I call it old school. Some call it poverty.”).

Afterwards Xochitl begged the audience to eat, drink, mingle, and buy books. Rachel and Rocío stood around the front, holding their twin books and smiling. “What was the collaborative process?” I went up and asked, and Rocío said it had happened after the two of them finished their MFAs at Otis College of Art and Design. They decided to check in with other once a week about their writing, and out of that, a book was born. 

I commented on the lavenderness of Rocío hair, book, and poems. “Did you plan it?” I asked. “No,” she said, laughing. Then she touched her hair. “I don’t even know how it looks right now!” 

She spotted a mirror in the corner, walked over to to it, and gently patted loose strands into place.

Hitched. Quarterly, times and days vary (check Facebook for new events), Los Angeles.

Read more: 11 literary reading series in Los Angeles

I’m reading at the Southern California Poetry Festival in Long Beach 9/10

Southern California Poery FestivalThe first ever Southern California Poetry Festival happens next month in Long Beach. Organized by Sonia Greenfield and Donna Hilbert in partnership with The Poetry Foundation, the weekend affair going to be two days filled with readings, panels, and keynotes — topped off with cocktail hours at The Brass Lamp Book Bar!

Hear luminaries like Amy Gerstler and Henri Cole, discover a dozen or so local literary journals, and find out about local bookish nonprofits. There’ll even be a panel moderated by former book critic of the Los Angeles Times David Ulin, with the provocative title, “Does SoCal Have a Voice?” I’m going to go out on a limb here and say that the panelists — Marilyn Chin, Suzanne Lummis, Luis Rodriguez, Ralph Angel — are probably going to say yes.

I’ll be reading with the Los Angeles Review crew on Saturday, Sep. 10 from 2 pm to 3 pm, along with Charles Harper Webb (Amplified Dog), Jessica Piazza (Interrobang), and Kim Dower (Slice of Moon). Here’s the full schedule lineup for both days.

Reserve a FREE ticket for the festival here — though I must warn you that all 175 tickets for Saturday are already taken! That said, if you’re a reader of this blog and would like to come on Saturday, just leave a comment ASAP and I’ll contact the organizers to get a ticket reserved for you.

Hope to see you there!

Southern California Poetry Festival. Saturday, Sep. 10 – Sunday, Sep. 11, 2016. Aquarium of the Pacific, 100 Aquarium Way, Long Beach.